What really matters, though, is the example Wooten sets in his dedication to music as a means to enhance the human condition even for those who may never master an instrument. If all you do is music, what is your music about? Getting away from your instrument and out into the world, you can see how the little bird gets up and sings — not to get paid but just because the sun is rising.
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You go outside to get more inside who you really are. At this point, a young student comes up to our table, apologizes for interrupting, takes a second to thank Wooten for all that he has done to move so many through his music. Wooten smiles gratefully. They speak for a few moments. Then the student moves on, like those graduates in Vermont, a little wiser and warmer than before. Chambers began drumming at the age of four years, and was gigging in Baltimore-area nightclubs by the age of six. He was recruited in by the Sugar Hill Label to be their "house drummer.
In he joined the John Scofield band. Since then he has played with most of the major figures in jazz fusion music.
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Despite a lack of formal training, Chambers has become well known among drummers for his techniq. Chambers is particularly regarded for his ability to play "in the pocket" but can also stretch very far out of the pocket which is also a hallmark of his technique. Chambers exhibits a powerful style that is technically proficient, yet highly musical and groove-oriented. He can play in a wide variety of musical genres, but is perhaps most notable for his jazz-fusion, funk, and Latin music playing.
He is mostly known for his fast hands and triplets on the bass drum.
Bing Crosby Theater. The Victor Wooten Trio ft. Conversations with Friends.
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