Fourth of July: The Gallery is closed. Recent Posts. Arthur M. Accessibility Help. Aviso de Privacidad. Galeria Alfredo Ginocchio ha representado a artistas Europa Galeria De Arte in Tangolunda is well worth a visit - make sure you give yourself enough time to peruse the whole collection, as it is truly fabulous but also has quite a lot of diversity in the styles and subjects of the art Galeria de Arte con una gran variedad de obras y artistas.
Comunidad de Arte en busca de la belleza. Saturdays from h to h. Fine Art Gallery Antigua Guatemala. Kur Art Gallery. Were not around right now. Admission is always free. Artista Nathalie Burckhardt Artist. The National Gallery of Art — the nations museum — preserves, collects, exhibits, and fosters an understanding of works of art. All Rights Reserved. See More. Artista Guss Vilchis Artist. Galeria de Arte. Log in. Galerias De Arte Barcelona. Tienda de Arte. Anita Schwartz Galeria de Arte.
Museo Nacional de Bellas Artes. Pintores mexicanos y artistas internacionales.
January 18, through July 14, This gallery and shop has an extensive selection of indigenous handicrafts from around Panama. We are a fine art gallery and restaurant with a tequila tasting lounge, and full service photography studio. Un espacio en el que el arte se ve, se aprende y se siente. Chama-se Open Air Gallery e pode ser visitada de forma livre, sem pagar nada.
So far Aciegas has created 3 blog entries. Plataforma para la venta de obras de arte. DC Art Book Fair. Consell de Cent, Alameda, 16, 1 B. Galeria Facebook. It has an ornate patio with plants of garden and a nice terrace to sunbathe or share with friends on a summer afternoon will be a great experience. You can use the garage in case you travel by rental car.
Two of the rooms have two personal beds that can be combined to set a double one and the other two rooms have a double bed. The house offers breakfast service with fruit, milk coffee and breads for 5cuc per person, if you want something specific you can tell the person in charge after your arrival at the house. Airport pickups and dropoffs are also set up. We also have a variety of attractive offers of excursions to other provinces and City tour.
You can have all the privacy you want since each room has its own keys, private bathroom and safe box, the hosts live in the same house so if you want you can also have a personalized attention and rewarding experience sharing conversations, exchanging topics of your interest and getting to know a little more about our culture. The area is very quiet and safe, ideal for the enjoyment and rest, the neighbors are very friendly and the best thing is that it is in a very central place where you can easily take some transportation to visit other important destinations, such as the majestic Old Havana or the Vedado.
Nearby you will find a wide variety of gastronomic offers where you can dine if you do not want to receive the gastronomic service offered by the house. Splendid Villa, few steps from the bus terminal. A kitchen is available, and you can also request breakfast service and enjoy it at the outdoor homestead. We offer Transfers, excursions, city tour, everything to make your trip the most pleasant memory This luxury Village is located quite close to the Jose Marti International Airport, very positive for tourists who have just arrived on a trip or return to their country, it is ideal for families and group parties.
Two of the rooms have a stright view to the pool and the bungalow offers a magnificent view to its private terrace and pool. All the rooms are appropriately equipped, with private bathroom each, with cold and hot water, clean towels and soaps, safe, air conditioning by split and fan, TV, wardrobes with clothes hangers, double bed and refrigerator or mini-bar assortment for the consumption of the guests. It offers breakfast service and planned dinners, transfer from the airport to the house, excursions, city tour, everything to make your trip the most pleasant memory.
We are in a residential neighborhood, very quiet and safe, better known as the neighborhood of the pool, as many of the surrounding villas have pools on their terraces which are used to prepare parties, events, among others.
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It is located quite close to the Jose Marti international airport, very positive for tourists who have just arrived on a trip or return to their country. Luxury Villa with Pool, 5 min from the airport. Villa elegante a un pie del mar, forrada en piedras jaimanita, le ofrece al cliente tranquilidad, confort y seguridad. Es un excelente retiro para meditar y encontrarse con uno mismo. Zona residencial, tranquila, segura y acogedora.
En las zonas del Hotel Palco usted puede disfrutar de la conexion por Wi-Fi. Villa a un pie del mar Altos 2. A few minutes from the city, 25 minutes from Old Havana, quiet atmosphere, access to the sea, you can enjoy a house with a standard that can only be compared to the highest level of hotels. We have not neglected any details to make your stay the most pleasant possible on this Caribbean island.
From your room or from the comfort of the terrace you can enjoy the best sunsets of Havana. Ideal for couples, adventurers, business travelers, families with children. We are waiting for you Delight in the beautiful sunsets accompanied by the roar of the sea with a good Cuban drink Es una zona muy segura y tranquila, de personas buenas y humildes, se puede caminar a cualquier hora del dia o la noche disfrutando del barrio o dar un paseo agradable por la playa cercana.
Places of interest: We have restaurants of different varieties: Creole, Cuban and International food. The house is located in the residential area of Miramar, very close to the sea, and 15 minutes from downtown, we have 24 hour security. My accommodation is good for couples, adventure seekers, business travelers and families with children , big groups and pets. Villa Mayra is located in the residential municipality of Miramar, a quiet and beautiful place, with the sea only meters from the house.
We have a colonial house, independent, with 5 rooms, each with its bathroom and the master bedroom has a beautiful king bed, and in its bathroom a jacuzzi. We have portal, room, wing, dining room, 2 kitchens, patio, swimming pool with all amenities, heated and with security and privacy 24 hours. We are very close to La Puntilla shopping center and Karls Marx Theater, we are very close to several private restaurants of traditional Cuban, Spanish, Italian food and another bar-restaurant like Rio Mar, with beautiful views towards the river.
Also we a very close to several discos, such as the famous Casa de la Musica de Miramar and Rio Mar disco, for all kinds of enjoyment. And we are also 15 minutes from the center of Havana, with easy access for those who want to visit it. El barrio de miramar es muy tranquilo y bello,es un barrio residencial y por lo tanto tiene todo a su alcance y comodidad. Para su disfrute tienen una terraza al aire libre, cancha tenis profesional, jaccuzi y espacio amplio para FIESTAS con sistema de audio, luces y proyector de video.
Brindamos servicios de WIFI. Mi casa es su casa. Una terraza amplia con sistema de audio, proyector de video y luces para realizar una gran fiesta, un evento o actividad. Villa Sole is a property located near 5 Avenue in Miramar, the luxurious residential city of Havana, Has beautiful gardens and comfortable rooms make this an ideal place for a vacation. Villa Sole is situated in Miramar, a zone of Havana city, the capital of Cuba. Villa Sole has a beautiful garden with tropical animals, a little pool in the garden, spacius living and comfortable bedrooms that make this an ideal place for a vacation.
The house has an area of m2 in two floor, with different living rooms, terrace, patio with furniture. In the 4 bedrooms 3 with king aize beds and 1 with 2 sigle beds You can find TV and air conditioning; DVD player, Stereo, phone and a Refrigerator are in the common spaces. The architecture is different in this part of Havana, echoing a more North American style, with large homes and lawns and elements like two-car garages, backyards, and in-ground pools. Villa in Havana. We offer transfers , excursions, city-tour, and everything to make your trip the most pleasant memory.
Lxury Villa with pool, 5 min airport, Full Complex. Ubicada en Siboney , un barrio exclusivo de la Habana pero muy facil de llegar!!! Lo que hace unico nuestro espacio es la privacidad de la casa y el servicio , chef de comida cubana.
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Esta ubicada en Siboney, barrio exclusivo por el espacio entre casas y todas las casas son residenciales. Casa Mari. In the neighborhood of Siboney, just a few minutes from Old Havana, we offer you a real Paradise. A mansion designed for your total relaxation, peace and joy. Large terraces, stunning gardens, a very cool bar and a gorgeous and colorful pool that will make you feel like you are in Heaven.
The atmosphere, the friendly service, home cooked breakfast, our nightly light show at the pool will make Aylin Luxurious Villa into the best choice to have the experience of a lifetime. This is a perfect place for families , business people or groups of friends who want to have privacy and have a quality relaxation time. There are countless things that makes our Villa Unique: - Our spacious room will amaze you with the nature view.
However, our gardener takes care of cleaning it early in the morning. Thanks to the new 12 Volt Pentair LED lighting system installed, at night the pool area projects a new show of transitions of colors. This is a show that you will always remember and will be the last touch to make your stay with us, the best ever:. Luxurious Villa Orquidea with a Heavenly Pool. This spectacular mansion was built in the 's and it has a stunning architecture. The building rises in a wooded area that leads to our heavenly and colorful pool of 80 square meters. McVay Jr. Texas Tech University. Perry Upton, Elizabeth.
Juan de Zabaleta: Costumbrista of the Golden Age. New York: Senda Nueva de Ediciones, Students of Spanish letters are accustomed to brief references to Juan de Zabaleta in discussions of baroque moralists, early essayists, or costumbristas. Another goal, that of establishing Zabaleta as the first Spanish costumbrista , is only partially accomplished. The most interesting material-again, speculative in great part-is that which addresses the role of his physical unattractiveness upon his personality, his virulent misogyny, and his sudden blindness. These outlines help to familiarize the reader with the flavor of these works, although one might wish for more concentrated critical reaction rather than such extensive summaries.
Richard A. Curry University of Nevada, Reno. Cobb, Carl W. Although Cobb did consult other translations and learn from them, it appears that the English versions are unmistakenly his. In his translations, Cobb uses the Petrarchan sonnet form and the Spanish ballad which Quevedo used.
He uses the standard English ballad form, the with tetrameters, alternating with trimeters, which rhyme on the even lines. There is little doubt that this book is a tour de force that consumed an enormous amount of effort and time; it is indeed a labor of love and passion. Cobb has been singularly successful in fulfilling his task. Donald W. Bleznick University of Cincinnati. Charnon-Deutsch, Lou. Gender and Representation. Women in Spanish Realist Fiction. This is an extremely worthwhile book.
In Gender and Representation Charnon-Deutsch takes a feminist approach to several nineteenth-century canonical texts and some not so canonical and explores the significance of women characters less for what they reveal of the feminine psyche than than for how they problematize male identity. It is about men -or couched in modern critical parlance, about the masculinization of cultural texts. Unsurprisingly, most if not all male-authored realist novels reflect an androcentric view of things.
What is surprising is how little we in Hispanism have had to say, until very recently, about the unstated biases and cultural constructions of gender that go into the composition of genres such as the novel. Whether through visual or verbal texts, the feminine is usually perceived as other, as a projection of male fantasies and obsessions. Thus her status as a feminine fetish seen concretely in the attention paid to her hands serves as a catalyst for an essentially male initiation rite. She represents the private space of home, reticence incarnate, thus allowing male characters and narrators to speak for her and thereby define themselves more clearly.
The Conclusion to Gender and Representation is less a finale and more the beginnings of another book. Charnon-Deutsch focuses on a male identity crisis as the motivating force behind characterizations of the feminine. Meanwhile, Gender and Representation is a good beginning. Gabrielle, John P. The volume, carefully edited with a lengthy and explanatory introduction by John P. The title itself, a genial find given the protean nature of the most famous generation of Spanish literature, aptly describes the heterogenous quality of the essays collected here.
The panoramic, longer essays, presumably delivered at plenary sessions, constitute the most satisfying and original chapters. In them seasoned critics unabashedly give free rein to revisionist views of the concept of generation, its growth, importance and the relationship among its most important members. The shorter efforts by comparison seem truncated and limited in appeal. The volume as a whole will appeal to no one reader, for its foci are too diverse. Just as few if any convention attendees can hope to take in more than a fraction of the presentation, the reader will soon tire from trying to absorb the contents of more than a few essays at a sitting.
And yet, this debatable drawback, endemic without exception to every volume of this nature, can conversely be viewed as its greatest virtue.
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Perhaps this cafeteria style of menu choices exemplifies post-modernist criticism where fragmentation, rather than continuity, and dispersiveness, in opposition to homogeneity, seem to have won out. Other readers will come up with lists of their own which may or may not coincide with my particular preferences, but such is the nature of proceedings volumes, festschriften and scholarly potpourri. Soufas, C. Middletown, Connecticut: Wesleyan University Press, He presents each poet as rejecting empirical reality, eschewing established philosophical notions of epistemology and ontology , and avoiding traditional representational models.
For Cernuda, Lorca and Alberti, Soufas argues, no such jubilant vision is attained: the struggle of these three with the poetic image constitutes an exploration of the void or chasm that exists between the poet and the world and between the poet and his self. The dichotomy between an optimistic poetics of fullness and a nihilistic poetics of alienation frames this entire study.
Aleixandre, on the other hand, eschews the intellect as he penetrates to a realm where being is affirmed in its fullness through involuntary images. Alberti also flounders in that void, failing to impose form on exterior forces, until he rejects the restrictive ideology that occasions it and embraces civic poetry. In each essay, Soufas focuses on the poems themselves, offering in every chapter detailed readings of single poems and in others a host of suggestive discussion and commentary.
For these reasons, the essays will need to be read and reread by teachers and students of the individual poets. However, despite this and a few other minor carps e. John C. Brown, Joan L. Newark: U. This anthology of articles on women novelists is the latest entry in an increasingly popular field in American Hispanism, following similar collections on women -books or monographic journal issues- published over the last five years, and preceding several others currently in preparation.
It maintains a pleasing unity of level throughout. Each of the chapters includes biographical data on one of the writers, analyzes an aspect of her work, gives an overview of her literary production, and concludes with primary and annotated secondary bibliographies. Given the introductory and literary-historical aim of this book, its selection of writers is consequential.
More objectionable is the explanation given for selecting these particular writers, since it tends to blur some very significant differences between the two reading publics Brown seems to have consulted: Hispanists based in North America who have been influenced by a generation of feminist criticism, and Hispanists based in Spain.
Among the writers profiled, a few have won multiple prizes, some none at all. Such objections aside, one must note that all of the essays in Women Writers of Contemporary Spain are well balanced and informative. Most take care to cite other significant articles on the same writer, at least in the annotated bibliography. Jones are models of concision and contextualization; they will be extremely useful for class readings. The former might have been strengthened by apposite reference to feminist criticism on the subject of female authorship and on Laforet. Rodoreda and Tusquets, the most complex and most studied writers of this group, are admirably served by their critics.
Geraldine Cleary Nichols University of Florida. Nieva, Francisco. El combate de Opalos y Tasia. La Magosta.
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Edited by Phyllis Zatlin-Boring. Madrid: Alhambra, Sobre todo comenta el elemento metateatral tan importante en cada una de las tres obras. Marta T. Halsey Pennsylvania State University. Edited by Genaro J. Hispanic Women Poets. Organized to deal with important topics that have been neglected in the Hispanic literary canon, Monographic Review here deals with one of the most overlooked areas, Hispanic poetry written by women.
Given that situation, all of the twenty-seven articles included in it offer valuable information; many of them, in addition, constitute excellent and innovative criticism. One should note that the volume includes studies on poets from the Nineteenth and Twentieth Century, although it concentrates on writers of the three most recent generations. Only a few studies deal with more than one author each. His comments on Atencia and Rosetti are very telling.
Sharon Ugalde discusses attitudes to poetry expressed by poets in interviews, giving us a valuable picture of various combinations of feminist consciousness and universalist striving. The most outstanding, to my mind, use recent critical approaches and carefully examine key texts. The second part of the volume is devoted to Spanish American poetry, and also includes some very fine analytical studies.
It is very revealing that most of the authors studied in this issue are barely mentioned in literary histories; some of them Coronado, for example may not have produced works of outstanding aesthetic merit, but need to be read to understand the situation of women poets or to complete the picture of a period or a style. Quite a few, however, should be included among the first rank of canonical writers, once their particular perspectives and stylistic achievements are taken into account. If only for this reason, this special issue of Monographic Review should be read with care by all specialists in Modern Hispanic Literature.
Pellicer, Jaime O. Buenos Aires: Editorial Trilce, Foster, David William. The Argentine Generation of Columbia: University of Missouri Press, The first impression given by this book is that of quality. Happily, the initial assessment of this hardbound tome, enclosed in an attractive dustcover, is amply sustained. It quickly becomes apparent that its author, one of the most prolific critics of Spanish American literature, knows the topic well. Foster addresses a wide range of topics related to Argentina and the Ochenta and the reader is the beneficiary of his expertise gained from years of study, teaching and in-country experience.
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In this five-chapter book Foster studies the group of writers, intellectuals, and social thinkers who, following the defeat of Rosas in , dedicated themselves to establishing Liberal institutions aiming to free Argentina from its Hispanic past in order to develop a literature and culture uniquely Argentinean.
He continues that historians and other social scientists quote from the above listed titles to the extent that the impression is that they are more primary sources than literary texts. However, these books have not been studied by foreign critics until this volume, and consequently are hardly read today outside Argentina. Foster, then, illustrates -from an ideological perspective- how Argentine society was formed by the thoughts expressed in the writings of the members of the Ochenta.
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Lee A. Daniel Texas Christian University. Madrid: Editorial Castalia, It would be difficult to improve upon what Dellepiane has so superbly done, both as regards the accuracy and reliability of the text she has furnished and the wealth of information on the literary and linguistic aspects of the work. Most noteworthy too are her comments on how each helped define the peculiar aesthetic base that ultimately served as the artistic credo for Don Segundo Sombra. The items in the select bibliography are up to date and wisely chosen. Finally, Dellepiane makes known to the reader the various texts and other documentary materials that she used in the preparation of the present edition, and in so doing offers little-known data on the genesis of the original and subsequent editions.
Dellepiane is to be commended for her assiduous, intelligent, and impeccable edition of Don Segundo Sombra. Arancibia, Juana Alcira. Buenos Aires: Ayala Palacio, Williams, Raymond Leslie. The Colombian Novel Austin: University of Texas Press, This signal study provides an overview of more than one hundred novels published between and with in-depth studies of seventeen major Colombian novelists and their most significant fiction.
Williams focuses on certain basic premises: the extraordinary regionalism seen in Colombia and its novels, the ideological dialogue evident in most Colombian novels, and finally the pervasive correlation between orality and literacy in the works studied. The volume is divided into three parts with a total of seven chapters. Williams views the novel as a set of regional, national, social, economic, institutional, and professional interests.
There is a final concluding chapter. The Appendix contains a valuable chronology of the Colombian novel, and a selected bibliography is included. Plot summaries are judiciously avoided, and Williams states that he has attempted to avoid excessive use of specialized terminology. The seventeen novels studied in detail are all viewed from a regional context as the fundamental factor in their creation. This is not the first study of the Colombian novel, but it is the most recent and thereby the most complete.
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Scholarly, carefully edited, accurate, and complete, this volume represents a landmark in the study of the novel in Colombia. Throughout Williams utilizes a regional approach with a focus on orality and writing. He finds that the oral culture is most dominant in Antioquia and the Costa, while it has been less important in the Interior Highlands and the Greater Cauca where emphasis has always been on an elitist writing culture. Harley D. Oberhelman Texas Tech University. Wood, Michael. Throughout the book he points out the problems inherent in translation and indicates the occasional shortcomings of the Rabassa version.
The book consists of a Chronology, eight chapters and a Guide for further reading. The Chronology and Guide to further reading are, if sketchy, helpful for the beginner. Wood presents a map of the geography of the novel and compares it with a map of northern Colombia. Although Wood diminishes the importance of incest in the work, he spends three pages on the topic.
Edward W. Hood Northern Arizona University. Four of the essays are outstanding. Sims also points out archetypal motifs such as circular time, the quest myth, Macondo as paradise, and the biblical patterns from Genesis to Apocalypse. These concepts are the uroboros the snake swallowing its tail , the temenos an enclosed space , and the archetype of the mother. I have taught the novel many times on graduate and undergraduate levels, and after reading these essays, I suspect that I will modify my syllabus before reading it again with a class.
The essays by Halka, Boschetto, Sims, and Eddy might even appear on my library reserve list. George R. McMurray Colorado State University. Bejel, Emilio. Vicente Dopico. University of Florida Monographs. Humanities, no. Gainesville: University of Florida Press, Molinero, Rita Virginia. Madrid: Editorial Playor, , pp. Emilio Bejel and Rita Molinero have undertaken the difficult but intriguing task of approaching not only his fiction but also his poetry and essays.
Bejel compares his views with those of Carpentier and Vico, finding Lezama somewhat closer to Vico in his view of history It touches on several points also presented by Bejel, coming to rather similar conclusions concerning the supranatural, the Image, and so forth. The subsequent chapter devotes considerable space to the baroque and neobaroque Lezama, referring to concepts of Carpentier and Sarduy, as well as of Hatzfield, Maravall, and Carilla. The Molinero study, while valuable, is somewhat marred by persistent typographical errors, particularly in the quotations from English-language sources and in the otherwise very adequate Bibliography.
An index would have been quite helpful. A nice feature of the book is its inclusion of information from unpublished sources, such as a tape of Lezama belonging to his sister. Both studies are worthwhile contributions to the field. Kenneth E. Hall University of North Dakota. Arenas, Reinaldo. El portero. Miami, Ediciones Universal, Viaje a la Habana. En la segunda parte de la novela son los animales los que hablan y juzgan al hombre. Se implica, por lo tanto, el futuro incierto del protagonista.
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