Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films


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New York: Palgrave Macmillan, ISBN Particularly in American university classrooms, this internationally successful book is now a frequent point of entry into Holocaust Studies. Along with The Reader , these novels also include the Selb trilogy of mystery novels Selbs Justiz [], Selbs Betrug [], and Selbs Mord [] that appeared during the years of intense and often heated Holocaust memorial discourse in the years after German reunification.

Donahue argues that by focusing so heavily on moral ambiguity, Schlink lets readers ignore many instances that quite simply lacked such complexity.


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At the same time, this ambiguity implicitly mitigates perpetrator guilt. Ultimately, such instances of moral uncertainty or inscrutability effectively foreclose critical discussion in favor of reductive platitudes that become substitutes for undertaking the difficult and unpleasant work of moral inquiry into genocide. Project MUSE promotes the creation and dissemination of essential humanities and social science resources through collaboration with libraries, publishers, and scholars worldwide.

Forged from a partnership between a university press and a library, Project MUSE is a trusted part of the academic and scholarly community it serves. Built on the Johns Hopkins University Campus. A must read for anyone seriously interested in Holocaust studies. It is solid, intelligent, and strongly argued. It reflects the critical literature on NS imagery in our time ably and provides the reader with clear and detailed interpretations of both the novel and film as well as their cultural contexts from contemproary Germany to Hollywood.

With English translations throughout, it is widely accessible to a broad audience. Finally, it represents the first significant investigation into the 'Schlink phenomenon' and therefore makes an important contribution to research that continues to grapple with the legacy of the Holocaust in contemporary German - and American - culture. You may have already requested this item.

Bernhard Schlink

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"The Reader" by Bernhard Schlink: Holocaust and conflict of generations

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Preview this item Preview this item. With the help of wide-ranging reception data, the work of Holocaust scholars, as well as cultural and legal reflections on the concept of guilt, Donahue elucidates not only these works, but the wider critical climate that has fostered their success. Read more Find a copy online Links to this item dawsonera.

Allow this favorite library to be seen by others Keep this favorite library private. Find a copy in the library Finding libraries that hold this item Holocaust as Fiction seeks to explain and critically evaluate the extraordinary success of Schlink's internationally acclaimed novel, The Reader , the widely read "Selb" detective trilogy, and two popular films based closely on his work. Reviews Editorial reviews.

Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films
Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films
Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films
Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films
Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films
Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films
Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films
Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films
Holocaust as Fiction: Bernhard Schlink’s “Nazi” Novels and Their Films

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