The kinky office


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Quickly getting the women of the factory on her side, she draws a quick design of a boot, explaining the most important factor is by far the heel "The Sex is in the Heel". George, the factory manager, realizes a way to make her design practical, and an impressed Charlie begs Lola to stay until a prestigious footwear show in Milan in three weeks' time, to design a new line of "kinky boots" that could save the factory. Lola is reluctant, since she is already receiving crass comments from Don, the factory foreman and some of the other factory workers but is flattered by Charlie's praise, and finally agrees.

Charlie announces that the factory will be moving ahead with production on the boots. He thanks Lauren for giving him the idea and offers her a promotion. She accepts and is horrified but thrilled to realize she is falling for him "The History of Wrong Guys". The next day, Lola shows up in men's clothes and is mocked by Don and his friends. An upset Lola takes refuge in the bathroom, and Charlie attempts to comfort her.

Lola explains that her father trained her as a boxer, but disowned her when she showed up for a match in drag. The two discover their similarly complex feelings toward their fathers, and Lola introduces herself by her birth name: Simon "Not My Father's Son". Nicola and her boss Richard Bailey arrive from the city of London and present Charlie with a plan for the factory that Richard has drawn up: closing it and converting it into condominiums.

Charlie refuses but is shocked to discover that his father had agreed to this plan before he died, presumably because Charlie was not there to run it. He refuses to sell, and soon the workers are celebrating as the first pair of "kinky boots" is finished "Everybody Say Yeah". Some of the factory workers are not enthusiastic about the radical change in their product line. Some of them, especially the intimidating Don, make Lola feel very unwelcome. Lola taunts him back, enlisting the help of the female factory workers to prove that Lola is closer to a woman's ideal man than Don "What a Woman Wants".

Lola presents Don with a unique wager to see who is the better "man": Lola will do anything that Don specifies if Don will do the same thing for her. Don's challenge is for Lola to fight him in a boxing match at the pub. Charlie, remembering Lola's background, is horrified. Afterward, in private, Don asks why she let him win, and Lola replies that she could not be so cruel as to humiliate Don in front of his mates. She gives him her part of the challenge: "accept someone for who they are.

Charlie is pouring his own money into the factory to ensure it will be ready in time for Milan, and he is getting frantic that the product is not right, angrily forcing his staff to redo what he considers to be shoddy work. Nicola arrives, fed up with Charlie's obsession over the factory, and breaks up with him. Lola has been making some decisions about production and preparations without consulting Charlie.

When he discovers that she has decided to have her angels wear the boots on the runway rather than hiring professional models, an overwhelmed Charlie lashes out at her, He humiliates her in front of the other workers. Lola storms out, and the factory workers go home. Alone, Charlie struggles with the weight of his father's legacy and what it means to be his own man "Soul of a Man". Lauren finds Charlie and tells him to come back to the factory.

It is revealed that Don has persuaded all the workers to return to work and to sacrifice a week's pay to ensure the boots can be finished in time for Milan. Charlie is astonished and grateful and asks if Don has paid up on his wager by accepting Lola. Lauren explains that the person that Don has accepted is Charlie himself. As he heads to the airport for Milan, Charlie leaves a heartfelt apology on Lola's voicemail. Meanwhile, Lola performs her act at a nursing home in her home town.

After she leaves the stage, she speaks to her now wheelchair-bound father, who is dying in the home, and reaches a sense of closure "Hold Me in Your Heart". Charlie and Lauren arrive in Milan. But without models, Charlie is forced to walk the runway himself. Lauren is thrilled by his dedication "The History of Wrong Guys Reprise " but the show threatens to be a disaster.

Just as all seems lost, Lola and her angels arrive to save the day. In Lauper's first effort at writing for the stage, she found that it required a sustained effort to write songs for the different characters. On February 6, , the Chicago Tribune reported that Kinky Boots' producers were considering taking advantage of an incentive program from the State of Illinois for out-of-town tryouts for Broadway shows. The show began its pre-Broadway run at the Bank of America Theatre in Chicago, on October 2, , which continued until November 4, The music director and orchestrator was Stephen Oremus.

The director and design team had gained previous critical acclaim and theatre or music awards. Mitchell had won a Tony Award for choreographing the revival of La Cage aux Folles ; Barnes and Posner had won Tonys; and Rockwell had been nominated for Tonys and other theatre awards. McLane was impressed with the "series of conveyor belts that came apart, moved around, and fit the context of the story" in order to accentuate the choreography of "a troupe of men in four-inch heels". With respect to the conveyor belts, he said, "They've never been used as dynamically as this, creating a series of surprises, with the kind of wild athleticism that actually looks dangerous.

It's one of the more thrilling combinations of stage design and choreography that I can recall. After the tryout, the team went back to work, adding a new musical number for Charlie and a second song in the drag club, removing another song, and revising the book.

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The New York Times noted that in the —13 season, most of the new Broadway musicals were "inspired by movies or books". Many viewers commented that, in their opinion, the performance was inappropriate for a family program. Fierstein responded that the show's inclusion in the parade reflected decreasing prejudice and increased tolerance for LGBT people in society. It began previews on June 16, with its opening night coming on June 28 to critical acclaim. Initially planned to run from June to September at the Royal Alexandra Theatre , with a mostly Canadian cast, [69] by the beginning of July, the run was extended to November.

In January , it was revealed Mitchell was planning a West End production and was negotiating to secure a theatre for He performed around performances by time of departure on July 8, On January 15, , the West End production celebrated performances. Due to few visitors, it closed on October 1, In November it was announced that the musical would be produced as part of the on board entertainment for Norwegian Encore , a cruise ship in the Norwegian Cruise Line fleet.

In June , St. Louis Municipal Opera Theatre.

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The original Broadway producers and team will oversee the production and development. Upon its October Chicago opening, Chicago Tribune critic Chris Jones described the show as a "warm, likable, brassy, sentimental, big-hearted and modestly scaled" production. In other words, give Ashford, a clear crowd favorite, more to do". The musical's Broadway debut received mixed to positive reviews.

Mitchell and Billy Elliot the Musical , it is set in a hard-times British factory town, where jobs are in jeopardy and spirits need lifting. And like Hairspray , the musical this production most resembles in tone, Kinky Boots is about finding your passion, overcoming prejudice and transcending stereotypes. The theatre critic for Time Out New York called the show "the very model of a modern major musical. Entertainment Weekly said "Cyndi Lauper's infectious score is cause for celebration.

Los Angeles Times theater critic Charles McNulty criticized Lauper's "novice mistakes" with a score that "never establishes a compositional through line" and saying that while "Fierstein's heart is in the right place Kinky Boots is its own spoiler alert, the kind of musical in which you recite the dialogue a half-beat ahead of the actors.

Which is why a show that seems to make few false steps is so relentlessly tedious," calling it "dull" and "synthetic". In , Kinky Boots began a United States national tour, which has also garnered mostly positive reviews. The London production received mostly raves, with the London Evening Standard writing, "The thigh's the limit for this high-kicking London musical," calling it "a glorious high-kicking romp," and adding that " He is utterly commanding in the role, and you instantly root for him.

It has been argued that Kinky Boots has added to the public discourse of gender, and its flexibility and fluidity. The prevalence of drag culture in mainstream media has introduced a step of separation between femininity and being female. Matilda had been the pre-awards season favorite, but as the season progressed, it became clear that Kinky Boots and the revival of Pippin would provide serious competition.

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Kinky Boots received a season-high 13 Tony Award nominations. Fierstein, Sands, Ashford, Mitchell as director and the three other designers were all nominated but did not win. Mellower Coffee has specially made a "Sparkle Dance" drink for this event. From Wikipedia, the free encyclopedia.

Stage musical. Louis The Muny. Further information: List of awards and nominations for the musical Kinky Boots. Main article: Kinky Boots Broadway cast album.

Kinky Boots – Official Broadway Site

Archived from the original on February 5, Retrieved February 9, BBC Two. Retrieved November 11, Retrieved November 14, Internet Broadway Database. Retrieved December 16, Archived from the original on October 23, Retrieved December 17, Retrieved November 22, The Broadway League. Retrieved October 5, Chicago Tribune. The New York Times. Retrieved December 15, Retrieved November 7, June 23, Retrieved November 10, Time Out Chicago. Retrieved November 13, Archived from the original on January 5, The Huffington Post.

October 2, USA Today. Retrieved November 12, Retrieved August 7, August 16, Archived from the original on November 10, The Advocate. Retrieved June 7, Archived from the original on September 19, Courthouse News Service. Retrieved May 23, Retrieved June 9, Retrieved August 6, Kinky Boots the Musical. Retrieved September 18, Retrieved March 4, Retrieved February 18, Retrieved September 10, Retrieved August 14, Retrieved August 17, February 22, The Wall Street Journal. Retrieved March 14, Daily News. New York.

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