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Performing memory in art and popular culture
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Serie: Routledge Research in Cultural and Media Studies
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Preview this item Preview this item. Series: Routledge research in cultural and media studies , The authors take their cue from the observation that art and popular culture enact memory and generate processes of memory.
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They do memory, and in this doing of memory new questions about the cultural dimensions of memory arise: How do art objects and artistic practices perform the past in the present? What is their relationship to the archive? In: Julier, Guy and Munch, Anders eds. Design culture: objects and approaches. Bloomsbury, London. ISBN Accepted. Highmore, Ben Pubs, pads, squats: vernacular space and the historical sensorium.
In: Sandin, Gunnar and Frichot, Helene eds. Architecture in effect. Volume 2 after effects: theories and methodologies in architecture. Actar, Barcelona, pp. In: Moreno, Joaquim ed. The University is Now on Air. Broadcasting modern architecture. Canadian Centre for Architecture, Montreal, pp.
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Highmore, Ben Mundane tastes: ubiquitous objects and the historical sensorium. The persistence of taste: art, museums and everyday life after bourdieu. Culture, Economy and the Social. Highmore, Ben Everything is evidence. In: Nimmerfall, Karina ed. Indirect Interviews with Women. Edition Camera Austria, Vienna, pp. Highmore, Ben The Everyday, taste, class. A companion to critical and cultural theory. Highmore, Ben Georges Perec and the significance of the insignificant. In: Wilken, Rowan and Clemens, Justin eds. The afterlives of Georges Perec. University of Edinburgh Press, Edinburgh, pp.
Wiley-Blackwell, Oxford. Highmore, Ben Habits of mood: cultural pedagogy and home front morale. Cultural pedagogies and human conduct. Culture, economy and the social. Routledge, Abingdon.
In: Weiss, Jeffrey ed. On Kawara: silence. Guggenheim Museum Publications, New York. Highmore, Ben Metaphor City. In: Darroch, Michael and Marchessault, Janine eds. Cartographies of Place: Navigating the Urban. Highmore, Ben Memories of catastrophes yet to come: new brutalism and thing-memory. In: Plate, Liedeke and Smelik, Anneke eds.
Performing memory in art and popular culture. Routledge research in cultural and media studies. Routledge, London, pp.
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In: Bowman, P and Stamp, R eds. Continuum, London, pp. Highmore, Ben Bitter after taste: affect, food and social aesthetics. In: Gregg, M and Seigworth, G eds. The affect theory reader. Duke University Press, Durham, N. Highmore, Ben Into the labyrinth: phantasmagoria at Expo Expo not just a souvenir.
University of Toronto Press, Toronto, pp. Highmore, Ben Social aesthetics. Handbook of cultural sociology. Routledge, London ; New York, pp. Highmore, Ben Streets in the air. In: Crinson, Mark and Zimmerman, Claire eds. Neo-avant-garde and postmodern: postwar architecture in Britain and beyond. Studies in British Art, Highmore, Ben A sideboard manifesto: design culture in an artificial world.
In: Highmore, Ben ed. The design culture reader. Highmore, Ben Home furnishings: Richard Hamilton, domesticity and the 'post-avant-garde'. In: Hopkins, D ed. Neo-avant garde. Editions Rodopi, Amsterdam, pp. Highmore, Ben Michel de Certeau and the possibilities of psychoanalytic cultural studies. Culture and the Unconscious. Palgrave Macmillan, pp. Highmore, Ben Paint it black: Ad Reinhardt's paradoxical avant-gardism.
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