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El Mariachi Mexican - Spanish Restaurant

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El Mariachi, Parkersburg

Rate This. A traveling mariachi is mistaken for a murderous criminal and must hide from a gang bent on killing him. Director: Robert Rodriguez. Writer: Robert Rodriguez.

The Making of "El Mariachi" - The Robert Rodriguez Ten Minute Film School

From metacritic. IMDb's Superhero Guide. Directors: Robert Rodriguez. Film Trilogies Top Ranked World Classics. Share this Rating Title: El Mariachi 6.

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Death Proof Four Rooms Four interlocking tales that take place in a fading hotel on New Year's Eve. Edit Cast Cast overview, first billed only: Carlos Gallardo He is dressed in black and carries a guitar case, and a killer arrives in the same town on the same day, dressed the same way. All the mariachi Carlos Gallardo wants to do is sing and play his guitar, but soon he's thrust into the middle of someone else's blood feud.

Rodriguez shoots this story in a lively visual style that brings a lot of energy even to routine shots. He probably overuses such devices as wide-angle lenses, zooms, speededup action and weird camera placements, but I'm inclined to forgive him his excesses because they add to the exuberance of the film. Today's major films are often shot in such portentous visual styles that they fairly march to their conclusions, but Rodriguez isn't afraid to reach all the way back to silent comedy for shots that punch up the humor and the action.

If it works, why knock it? The story is the stuff of pulp novels, old TV Westerns and Victorian melodrama. The mariachi is a harmless romantic who only wants to sing, but people start shooting at him. He defends himself, while trying to figure out why he is the center of attention. A sexy barmaid named Domino Consuelo Gomez believes his story and befriends him, and before long they are falling in love, which adds another complication: Domino is the object of the local warlord's unrequited lust, and the warlord's men have confused the mariachi with the other man in black.

This story of coincidences and mistaken identities is so obviously contrived that it's almost a parody of itself, but the film's style saves it and gives it charm. Shooting with amateur actors on real locations, plundering his surroundings for his shots and props, Rodriguez gets a gritty, sweaty, dusty feel that drips with atmosphere. Although "El Mariachi" is peopled with stereotypes and told with broad strokes, there is somehow an authenticity about it; it feels committed to its story.



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