Die schöne Müllerin, No. 16 - The Favorite Color, Op. 25, D795


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Franz Schubert: Die Schöne Müllerin (The beautiful Maid of the Mill) / M - HBDirect Genres

Andrew Mellor But for all the detritus of performance history and commentary, DSM is first and foremost a story, as Gilchrist reminds us in his booklet introduction. Throughout, he portrays a young man of innocence, introspection and naivety rather than bold self-belief.

Die schone Mullerin, Op. 25, D. 795: No. 16. Die liebe Farbe

On the recent Harmonia Mundi recording from Matthias Goerne and Christoph Eschenbach, you feel pianist urging singer on: Eschenbach provoking Goerne into more protestation; indulging him in his despair. Her accompaniment has the same intense focus and front-of-the-mouth delivery. Rate this Album.

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Die schöne Müllerin, D.795 (Schubert, Franz)

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Die schöne Müllerin, No. 16 -  The Favorite Color, Op. 25, D795 Die schöne Müllerin, No. 16 - The Favorite Color, Op. 25, D795
Die schöne Müllerin, No. 16 -  The Favorite Color, Op. 25, D795 Die schöne Müllerin, No. 16 - The Favorite Color, Op. 25, D795
Die schöne Müllerin, No. 16 -  The Favorite Color, Op. 25, D795 Die schöne Müllerin, No. 16 - The Favorite Color, Op. 25, D795
Die schöne Müllerin, No. 16 -  The Favorite Color, Op. 25, D795 Die schöne Müllerin, No. 16 - The Favorite Color, Op. 25, D795
Die schöne Müllerin, No. 16 -  The Favorite Color, Op. 25, D795 Die schöne Müllerin, No. 16 - The Favorite Color, Op. 25, D795

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